![good comedy punches up](https://images.squarespace-cdn.com/content/v1/5f05c18b5abc8166e4cc0df3/1605272245218-SLBJGZRJVRYHL1WECHV3/138d7-79246904_1740886096045677_1345735961052446720_n.jpg)
good comedy punches up
Sophia Dunn-Walker reflects on the complicated role of stand-up comedians in the entertainment industry, arguing that performers should have compassion for those they speak of, even when straying from political correctness. The piece is accompanied by Sophia Lobanov-Rostovsky’s illustration.
![feminism at the fringe: why the words of women win](https://images.squarespace-cdn.com/content/v1/5f05c18b5abc8166e4cc0df3/1605688222158-FI1VNZRALP533N5M1LYC/d2654-thought-catalog-2ufkl8vvoum-unsplash.jpg)
feminism at the fringe: why the words of women win
Nadia Freeman reflects on the feminist arts scene in Edinburgh and what makes arts nights for female-identifying artists so important.
![from fleabag to flowers: the resurrection of ‘gallows humour’](https://images.squarespace-cdn.com/content/v1/5f05c18b5abc8166e4cc0df3/1606404103904-ALZ0CZD5SKJJKO1VA04J/314a6-flowers2.jpg)
from fleabag to flowers: the resurrection of ‘gallows humour’
Tabby Carless Frost discusses the role of dark comedy as a means for exploring mental health on screen, most notably in BBC’s Fleabag and Channel 4’s Flowers. The article is accompanied by Tabby’s own original artwork.
![the female comic: fact or fiction?](https://images.squarespace-cdn.com/content/v1/5f05c18b5abc8166e4cc0df3/1605267157838-MA53RJKESPIZMCC1M7ZV/6a463-6334918319_47a19105d7_o.jpg)
the female comic: fact or fiction?
Sarah Thew and Eleanor Taggart present a collaborative piece that questions if female comedians are limited in the type of comedy that they can do - further probing whether women are given as much artistic licence as men in this sphere of performance.